One sequence of Pans Labyrinth that properly utilises sound effectively is the Pale Man sequence from the middle of the film. This sequence creates its atmosphere through a clever use of diagetic and non diagetic sound which gives depth and character to the Pale Man and makes us fear for Ofelia’s safety. Through the use of a close sonic perspective on the sound objects make in this scene we are able to recognise the importance of certain objects such as the knife and the pale mans fingertips.

The knife, specifically, makes a very piercing and exaggerated sound. This is to show the audience that this object will play an integral part in the story at a later point and to keep a watch on the knife and what happens to it. We know this pays off because later on the knife is used as the final test for Ofelia which she turns down.

An important non-diagetic sound to mention is after Ofelia has left the realm of the Pale Man and she shuts the hatch. After the hatch has been shut a sound remains, a drumming which resembles that of a heartbeat. This shows Ofelia’s terror and relief from escaping the clutches of the Pale Man. It also has demonic undertones that fit in concordance with the gothic themes of the Pale Mans lair. This all helps to envelop the viewer in the terror and dark world of the Pale Man.